Sagrada Família

圣家堂是一座宏伟的圣殿，自1882年以来一直在建造中，融合了哥特式和现代主义风格，打破了常规。走近时，18座纺锤形尖塔,, 每座代表一位使徒、福音传道者或圣母玛利亚,, 的规模令人叹为观止。诞生立面在高迪生前完成，充满了有机的、几乎栩栩如生的植物和动物石雕。内部，森林般的柱子向上分叉，支撑着双曲面拱顶，而彩色玻璃窗将琥珀色、蓝色和绿色的光斑洒在中殿。受难立面简洁而棱角分明，形成了沉郁的对比。乘坐电梯登上其中一座塔楼，可以近距离欣赏马赛克覆盖的尖顶，并俯瞰巴塞罗那的全景。尽管仍在施工，这座圣殿在愿景上已显得完整,, 见证了高迪的天才和这座城市持久的虔诚。

不容错过

• 欣赏诞生立面上 intricate 的自然风格雕刻
• 探索森林般的内部及其分叉的柱子
• 乘坐电梯登上塔楼，俯瞰城市全景
• 研究对比鲜明的受难立面，其简洁而棱角分明的雕像
• 参观地下室博物馆，观看高迪的原始模型和图纸

门票与旅行团

游览Sagrada Família的方式

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行前须知

• Sagrada Família is a basilica and active place of worship, but it is not the cathedral of Barcelona.
• The church is still a construction project, so completed historic work and modern continuation can be seen together.
• Visitor entrance income helps finance the privately funded construction.
• The chapel of the Blessed Sacrament and Penitence is available for prayer.

历史一瞥

Bookseller José María Bocabella conceived an expiatory church after visiting the Vatican in 1872. Villar began the crypt on 19 March 1882, but resigned in 1883. Gaudí radically transformed the project and eventually devoted the rest of his life to it. He designed not only the church's forms and symbolism but also structural models and studies for details such as its acoustics. When he died in 1926, only about a quarter of the project had been completed, and he was buried in the crypt. Work continued under his disciple Domènec Sugrañes i Gras until the Spanish Civil War interrupted construction in 1936. A fire damaged the crypt and workshop and destroyed parts of Gaudí's plans and models. Later architects continued from saved workshop material, reconstructed versions of burned plans, published plans, photographs, and modern adaptations. Construction resumed intermittently in the 1950s. Computer-aided design and computer-controlled stone cutting later accelerated work that had previously depended on hand carving. The central nave vaulting was finished in 2000, and the covered nave and installed organ allowed the still-unfinished building to be used for liturgies in 2010. That year Pope Benedict XVI consecrated the still-unfinished church before thousands of worshippers. The long project therefore records several eras of craft, engineering, interpretation, and debate over how faithfully later builders can realize Gaudí's incomplete vision.